journal

A teaching journal

When I was a young teacher, I worked in two unusual and challenging schools. We were often working without a map and it was both terrifying and brilliant. Early on, Michael Armstrong, who was a colleague then, encouraged me to keep a journal. Every day, at four o’clock, I sat down with a cup of tea and recorded stories from my day. I wrote down things that bothered me, or puzzled me, or that I considered a success. Very often, I just wrote down things that had happened without really knowing more than that. Only later did patterns appear. I have been writing journals about school life ever since.

It is what I like to write and it is where writing, for me, is a record, a research tool, a means of thinking and a means of discovery. I find writing in this way utterly absorbing and it is this kind of writing that makes me feel most like a writer.

When I look back at the early journals, I am dismayed by their prim schoolmarmy flavour despite the wildness of the context Very often I was simply catching the moments, hoping enlightenment would come later. I was coy about my part in the procedure. My notes were often cryptic, missing out the detail which I have learned bring things alive and help me to make sense of what I am seeing. Slowly, I loosened up. Threads emerged. I felt able to speculate. And I was lucky to have colleagues who wanted to talk, endlessly, about what we were doing; what students were teaching us. The talk remains essential. The writing catches the moment and allows thinking to unfold.

So I encourage you to keep a teaching journal. So very often it is assumed that writing means ‘being creative’; and ‘being creative’ means writing novels and poetry. For a teacher, writing about the life of the classroom is creative, is intellectually satisfying and is emotionally worthwhile. It is a way of making sense of what we and those whom we teach are doing. In making sense we create meanings and consolidate and develop our practice.

If that sounds too worthy, then shake yourself free of that idea. Just capture a story or two each day and see what happens.

This is the thing. Make a cup of tea and sit down. Open your notebook. Write the date and time and let the day come back to you. Write down what immediately comes to you. Sometimes, there will be one overwhelming event. Sometimes, a brief moment will have stayed with you -the way a child smiled, the hush as you read the last chapter of a novel, the surprising solution a child found to a maths problem, the emotions that surged when, yet again, Galahad the Restless could not settle to the task. .

Start by recording the story. Write down what happened. What words were spoken. Maybe what you felt and thought at the time. Then let the pen go. You may find yourself exploring one idea. You may find yourself writing down a list of small incidents. Be patient. Start with the aim of simply getting some details down. Let the events of the classroom and the writing itself lead the way.

One year my journal began in despair. Daily I reported a sense of failure, of making no headway, of students’ unfinished work and abandoned projects. I constantly questioned myself. Six months later, when re- reading the entries, I saw that much more had been happening than I thought. Although I felt at sea, the students were making headway. In every single abandoned attempt lay the seeds of what became major pieces of work during the next twelve months. I learned how some things come slowly and how important trust can be.

Start today. Use a school exercise book. See what happens.

Michael was an inspirational teacher and thinker. A collection of his papers and essays is available in this free e-book, Another Way of Looking.

A Good Time To Be Writing

NatalieGoldberg.jpeg

Welcome to the website and to this, newly formed, Director’s Page. As you may know, we have had to create a new website to support the activities of NWP members and all teachers who have an interest in writing.  Theresa and Stephen, our trusty editor and website manager, are migrating the old site to the new and in the meantime you can still access all the resources on the original ten-year-old site.

At this moment, with the world turned upside down, writing is more important than ever. Writing has always been a source of solace and reflection. It allows us to remember and to record the moment. We find solutions to problems when we write and we discover ourselves. It is a distraction and it brings sharp focus. It is a way of making sense of things when that seems well-nigh impossible. It helps us find a way through. Writing puts us in touch. It puts us in touch with ourselves and in touch with others. When hugging is out of bounds and we are placing ourselves at several broomsticks away from each other, writing has the capacity to bring us closer.

Writing also may have a meditative quality. With that in mind, we are going to post a prompt a day, just to help you establish a daily, nurturing writing habit. There are so many ways in which writing can work wonders for us as individuals and as members of a community. I thought we might begin with thinking about a journal of the times we are living through.

Recently, a writing weekend with beloved friends was cancelled and we conducted a virtual weekend. During the weekend, one of our group, who was able to join us from France, responded to some Natalie Goldberg prompts and it struck me how useful it was for her individually, but perhaps even more so for those who read her work. It seemed to me that we can begin to make sense of what is happening through writing.  And that some kind of record of what are being repeatedly called ‘unprecedented’ [that word is driving me to distraction] times would be worth having.

Here is Monica Melinsky on the contents of her freezer:

We can't live without 

The well-stocked freezer: celeriac and pea soup, chicken curry with the spices carefully ground, two always popular orange and almond cakes, gluten free, garden tomato soup ( it was a glut crop in...2017..oh dear... ), figs pureed and more figs roasted, haricot beans, more figs, chestnut purée, more soup, useful items in boxes with sadly no longer any labels, must chuck now. Frozen egg yolks saved from the meringue last summer? I think I can live without them. Enough to fill our ark- for how long? Let's just hope it doesn't come to that.

And a more personal response to the same [Natalie Goldberg] prompt:

What I can't live without

I couldn't live without a cup of china and Darjeeling tea. Apparently as soon as my daughter heard my key in the door my first words were, 'Put the kettle on,...'

But I can't live without Whatsapp. We are now all confined: in three countries with European borders closing today and all flights cancelled. Never before in our life-times. Outside my window the village is silent, no traffic passing, no planes, neighbours indoors, no social contact permitted. The world is drawing in. Life is changing forever. We are still a family. But I can live without them if I can still speak to them.

It made me think of the Mass Observation project which collected information about the lives of men and women from 1937 to the early 1950s and then again from the 1980s. 

http://www.massobs.org.uk

It seemed to me that we could write to record these times that we are living through and capture the varied, unexpected ways in which we do so. 

And we are teachers. Here is an opportunity for us to allow ourselves to write, just for our own purposes. No guilt. We are teachers. Through writing for ourselves we will continue to learn about teaching writing; about writing alongside our students; about how we can best work with them as they write and how what we say and how we respond can help student writers  grow.

However you choose to write, I wish you well. It seems to me that writing, and drawing, are essential human practices which will enrich and expand our lives. And perhaps steady them.

Jeni Smith